Participation in the «Russian Square» competition. Art object «Metamorphosis»

My Process and Design Decisions

Within the scope of this project, I developed an artistic concept and systematically worked through the form of the future object—from a series of preliminary sketches to the final design. My task was to convey the image of a wing not through a flat depiction, but through texture, volume, and color. I settled on a contrast between dark, flat weaving and vibrant, volumetric elements crafted from sheer organza. This decision allowed for smooth color transitions and the impression of internal luminescence.

Outcome and Significance

The result is a sculptural textile art object that unites a literary narrative, handmade craftsmanship, and the aesthetics of Palekh miniature painting within a contemporary artistic form. The project allowed me to explore the potential of textiles as an expressive medium capable of communicating not only a decorative image but also narrative, movement, and emotional state. Its significance to the competition theme lies in finding a relevant language for interacting with cultural heritage without directly copying traditional motifs.

Concept and Artistic Solution

The foundation of the concept is Hans Christian Andersen’s fairy tale, «The Wild Swans,» in which the heroine saves her brothers by making them shirts out of nettles. The object, shaped like a swan’s wing, conveys the moment of transformation, liberation, and overcoming trials. I chose the image of the wing as the form that allows me to unite the narrative symbolism with the expressive qualities of textiles. Thus, the manual labor required to create the object becomes part of its meaning: the material does not merely depict transformation; it itself undergoes a journey from individual elements to a cohesive artistic form.

Realization Technology

To create the object, I utilized a combination of several textile techniques and textures. Several rows of tubular elements made from semi-transparent organza of various shades form the volumetric part of the wing, while a fine mesh and dark weaving create a contrasting base. When developing the structure, I aimed to achieve expressiveness not only through color but also through the interaction of light with the material. As a result, the technical method became an integral part of the artistic solution: the texture and multi-layered quality generate a feeling of depth and inner luminescence.

Stages of Work

1. Research and Concept Development — I researched the contest theme, the literary plot «Wild Swans, ” and the artistic traditions of Palekh.2. Sketching and Form Exploration — I developed the silhouette, proportions, and composition of the art object.3. Material Selection and Construction Design — I selected materials and textile techniques, and I developed the principles for connecting the elements.4. Fabrication and Final Detailing — I realized the artistic concept and finalized the volume, texture, and color transitions.5. Presentation and Project Showcase — I prepared materials for the final presentation of the work at the „Russian Square. PALEKH. LEON“ contest.