key objectives:

Develop an original curatorial festival that reflects current trends in contemporary art while establishing a distinct identity within cultural landscape. The project aimed to create a coherent platform for artists and curators. The objective was to foster meaningful exchange, support emerging curatorial approaches and establish a recognizable positioning for the festival within the contemporary art scene.

exhibition concept:

The «Curators' Exhibition» creates a unique model — a multi- component hierarchy: curators, nominal artists, have their own curators. «Curators of curators» take a hypercuratorial position, they distance themselves from artistic objects and aim at exposing the very curatorial logic, its set design, and rhetoric, calling for a reflexion over the very institutionality of curation and problematizing the boundaries between the curator as a facilitator and the curator as an artist. At this time, the participating curators find themselves in a special ambivalent role: on the one hand, they are the authors of their own exhibitions, on the other — part of the thought of other curators who are «above» them. The line between curation as an organizational practice and curation as an artistic expression is no longer blurred, but extremely sharp and palpable — like a dissection line along which a new institutional sensitivity is being assembled. The exhibition thus becomes not only a space for the presentation of curatorial projects, but also a field of institutional self-observation, where the structure begins to reflect on itself.

our role:

Developing the overall exhibition concept and curatorial framework, coordination of the selection and curation of participating projects, devising the exhibition layout and spatial plan. Creation of the visual identity system: designing guidelines and communication materials. Advertising and production management.

results:

During the exhibition, each participant-curator was assigned a curator for the event, through their joint work were created 18 exhibition projects. CURATORS’ EXHIBITION achieved over 1000 visitors over three days and hundreds of mentions on social media. A partnership has been established wis major info and gastro patners such as «masters», «artuzel», «rovestnik» kitchen etc

key objectives:

Study the aestheticization of labor through its continuous mediation and circulation in the modern art economy. Develop an exhibition format that will allow one to see the mechanisms of aestheticization through one’s own participation in them, rather than through external criticism. Establish cooperation with an independent non‑profit art space.

exhibition concept:

In modern culture, labor is inevitably subjected to aestheticization through its permanent mediatization, which causes it to circulate within the artistic economy. Artists work with the tire service as a specific workspace for low‑level service, and at the same time, it inherently exists in a dual mode — as a function and as a potential visual element simultaneously. The exhibition exists not as an exposure of aestheticization, but as a transparent demonstration of it through its own inclusion.