Introduction. About the brand Bushe
-left- Brand Founder Oleg Lega // -right- Brand Logo and Slogan. Frame from the promotional film «Piter by Kasta» (2018)
Bushe is a well-known chain of bakeries and cafés in St. Petersburg. The company was founded in 1999 and, over the course of several decades, has grown from a small local bakery into a major brand that encompasses cafés, its own production of bread and pastries, and delivery services.
Today, Bushe holds a special place in St. Petersburg’s urban culture. For many residents, the brand is associated not only with baked goods or coffee, but also with the city’s way of life. Visiting a café becomes part of daily habits and small rituals that make the city’s rhythm more comfortable and predictable.
Frame from the promotional video «Bushe. A Story of How We Live» (2021)
In its communications, Bushe consistently emphasizes its connection to St. Petersburg and its cultural environment. The brand focuses not so much on its products as on the people, the atmosphere, and the everyday situations in which these products become part of citizens' lives.
The positioning is based on several enduring values. These include the quality of ingredients and an artisanal approach to production, but also comfort, attention to detail, and respect for the urban context. The cafes are perceived as places where people can spend time in a relaxed atmosphere, meet friends, work, or take a brief break from daily life. As a result, the brand is associated not only with food but also with an emotional experience.
Frames from the promotional video Bushevnye Domy. Part 1: V.M. Korzinin Apartment House | Stories of St. Petersburg Houses (2022)
Bushe’s target audience is quite diverse, but young professionals, students, creative professionals, and residents of the city’s central districts are particularly prominent among its visitors. Many choose these cafes as a space between home and work, where they can comfortably spend a few hours without feeling pressure from their surroundings.
Bushe’s promo-posters (2026)
The first thing that catches the eye when getting to know the brand is the consistency of its visual identity. The interiors of the establishments, packaging, menu design, brand graphics, and social media posts all adhere to a unified aesthetic. Visual communication is built on a calm color palette, minimalist graphic solutions that follow current trends in graphic design, and a keen attention to detail.
Bushe’s promo-posters (2026)
This approach helps shape the image of a modern urban brand that maintains a connection with local culture and creates a sense of comfort in everyday life. The same values are evident both in the physical spaces of the cafes and in the digital environment, so interaction with the brand is perceived as a unified experience regardless of the point of contact.
Communication Channels
Bushe’s communication strategy relies on several different ways to connect with its audience, and all of them work together as one system. The brand uses websites and social media, but it also speaks to visitors through the atmosphere and visual details inside its cafes.
Main page of the website of Bushe (2026)
Screenshot of pages from the website of Bushe (2026)
The website serves more than one purpose: it gives practical information: visitors can explore the menu, learn about new products, and place delivery orders. At the same time, the website reflects the brand’s values through photography, written content, and visual design. A light color palette and a large number of bright product images help visitors become familiar with the bakery’s and with the lifestyle or mood that the brand promotes.
«Bushe» x «Gorod Vopreki» event collaboration (2026)
Telegram acts as a more informal channel. Posts often focus on seasonal offers, new menu items, city events, and everyday stories from the company. Users may leave comments, react to posts, which makes the exchange more dialogic and personal.
The VK group serves a similar purpose. News, product launches, seasonal campaigns, interactive activities, and giveaways usually appear on Telegram and VK at the same time.
As a result, the brand reaches different groups of users while keeping a consistent voice across platforms.
Posts from the official Bushe telegram channel
Bushe also uses several PR approaches that help the brand remain a visible part of the city and build strong ties with its audience. The company often links its image to local culture, everyday life in Saint Petersburg, and various community projects; posts regularly refer to seasonal events and city traditions, so the brand becomes part of a wider public conversation. Storytelling plays a major role as well. Rather than focus on products all the time, Bushe shares stories about café staff, the baking process, and everyday moments inside the company. As a result, the content feels more personal, and people are more likely to form an emotional bond with the brand. In my opinion, this approach works especially well because it helps the company come across as a familiar part of city life rather than just another chain of cafés.
For many customers, the first encounter with Bushe happens inside a cafe. The interior, seating layout, product displays, and storefront design all become part of the way the brand communicates. Together, these elements convey a sense of a slower urban rhythm, care for detail, and an appreciation of everyday city life.
Packaging plays a similar role. It helps people recognize the brand, but it also supports a unified visual language across different points of contact. The logo, typography, colors, and graphic elements create an image that visitors quickly come to recognize, whether they come across the brand online or in a physical space.
Photos from the official Bushe vk group. Opening of the renovated cafe (2018)
Bushe combines digital and physical channels into a single communication system. The website and social media help the company stay in touch with its audience, while the interior, packaging, and navigation elements reinforce the same values through direct experience. In our opinion, this approach works especially well because visitors receive a similar message wherever they meet the brand, and that consistency helps build a strong and recognizable identity.
Theoretical Framework
The Narrative Paradigm was introduced by the American communication scholar Walter Fisher in the 1980s. Fisher argued that people make sense of the world primarily through stories. In his view, human beings are homo narrans — storytellers who interpret events and experiences through narrative rather than through logic alone.
From this perspective, audiences do not evaluate messages solely on the basis of facts or arguments. They also consider whether a story feels coherent, believable, and consistent with their own experiences and values. During the course, this idea was discussed through the concept of narrative rationality, which refers to a story’s internal consistency and its ability to resonate with an audience’s understanding of the world.
The second theory used in this research is Uses and Gratifications Theory. Developed by Elihu Katz, Jay G. Blumler, Michael Gurevitch, it offers a different way of thinking about audiences. Earlier approaches to mass communication often treated people as passive recipients of media messages. Uses and Gratifications Theory takes the opposite position. It assumes that individuals actively choose media content according to their interests, goals, and personal needs.
As a result, the focus shifts from asking what media do to people to asking why people choose particular forms of media in the first place. Someone may seek information, entertainment, emotional engagement, a sense of belonging, or support for their personal identity. Different motives lead to different forms of interaction.
Analysis
Narrative Paradigm
Bushe often builds its communication around stories of everyday life in Saint Petersburg. If you look through the brand’s social media, you will rarely run into photos that show only a product in close-up.
Much more often, there are city streets, people having breakfast, friends talking over coffee, or familiar routes across town. Bread and coffee become part of a larger story about what a good day in the city looks like.
Bushe’s promo-materials. Saint-Petersburg is known for its historical architecture, that becomes a part of citizens' everyday life (2026)
Seasonal posts, holiday campaigns, and even ordinary daily content follow a similar pattern. Bushe usually doesn’t try to prove why a particular pastry is better than a competitor’s offer. Instead, it refers to situations many people already know from their own lives. Because of this, followers are likely to read these posts as stories rather than as direct advertising. In our opinion, this is one reason why the brand feels approachable and familiar.
Walter Fisher argued that people judge stories through narrative rationality. In simple terms, they ask two questions, even if they don’t do it consciously: does the story make sense, and does it fit what I know about real life? Bushe performs quite well on both counts. The visual style, tone of voice, and recurring themes all support a similar image of the city and its culture, while the situations shown in posts feel believable for local residents. As a result, the brand’s messages come across naturally and rarely feel forced.
Bushe’s promo-materials with references to the classic internet memes (2026)
Uses and Gratifications Theory
From the perspective of Uses and Gratifications Theory, followers get much more than product information from Bushe’s content. The brand’s social media feeds serve several purposes at once.
They help people keep up with city life, offer pleasant visual material, and support a sense of connection to the cultural atmosphere of Saint Petersburg.
Bushe’s promo-materials in collaboration with Hermitage museum (2026)
This becomes especially clear in user comments. People often talk less about the technical qualities of a product and more about personal memories, favorite locations, the mood of a particular bakery, or small details of city life. In other words, many followers use the brand’s content as a way to maintain an emotional link to the city and to experiences they value.
The theory developed by Elihu Katz, Jay Blumler, and Michael Gurevitch suggests that people actively choose media because they satisfy certain needs. Bushe appears to meet several of them at the same time. Some users look for information, others seek aesthetic pleasure, and some probably want a sense of belonging. There is also the issue of identity. When someone regularly interacts with this type of content, they may indirectly express attachment to a particular urban culture and lifestyle. For part of the audience, Bushe has become a familiar element of everyday life, and maintaining a connection to the brand also helps maintain a connection to that image of the city itself.
Bushe’s promo-materials with citizens (2026)
Conclusion and recommendations
So, Bushe’s communication rests on two things: the image of St. Petersburg people already carry in their heads, and the way this image shows up in everyday life. The brand doesn’t push itself forward too much, it just slips into a familiar city picture, and because of that people take it in quite easily, without resistance.
Frames from the promotional video Bushevnye Domy. Part 1: V.M. Korzinin Apartment House | Stories of St. Petersburg Houses (2022)
Through the Narrative Paradigm lens, what stands out is how well everything fits together. The city scenes, daily routines, even the tone — they all build a story that doesn’t really need proof. It feels close to how people already see their own surroundings, so it just «clicks».
And from the Uses and Gratifications side, it’s a bit different. People don’t come only for products or facts. They want a mood, a certain visual rhythm, and quiet feeling of being part of a known urban space. That’s why so many reactions drift away from the product itself and go into memories, places, personal links.
Frames from the promotional video Bushevnye Domy. Part 1: V.M. Korzinin Apartment House | Stories of St. Petersburg Houses (2022)
But then a question shows up: so what now? We think the current setup works mainly because it leans so much on local cultural codes that people in St. Petersburg instantly get. If the brand moves into other cities, that same base might not hold so well, because the shared context just won’t be there.
So there are basically two paths. Either Bushe adjusts its communication for each new city, keeping the same focus on daily life but finding local versions of it, or it stays in St. Petersburg and goes deeper instead of wider, building its identity even more tightly into the local urban fabric.
And maybe, growth in this case doesn’t mean expansion at all. Sometimes it just means staying in the same language and making it richer over time.
https://academic.oup.com/joc/article-abstract/35/4/74/4282872? — The Narrative Paradigm: In the Beginning Get access Arrow by Walter R. Fisher
https://academic.oup.com/poq/article-abstract/37/4/509/1816598? — Uses and Gratifications Theory, developed by Elihu Katz, Jay Blumler, and Michael Gurevitch.
https://en.wikipedia.org/wiki/Narrative_paradigm — The Narrative Paradigm: In the Beginning Get access Arrow by Walter R. Fisher
https://en.wikipedia.org/wiki/Uses_and_gratifications_theory — Uses and Gratifications Theory, developed by Elihu Katz, Jay Blumler, and Michael Gurevitch.